Wabisabi Workshops

Jaipur’s palaces, forts and bazaars are on everyone’s must-do list when visiting this heritage-rich city but, if you’re a textile enthusiast or generally just looking to do something different that’s also off the beaten track, the Wabisabi Natural Dye Workshop in nearby Bagru offers a unique opportunity .

WNDW is the initiative of young entrepreneurs Kriti and Avinash, who founded The Wabisabi Project in early 2017. The project takes its name from a traditional Japanese sentiment that finds beauty in the imperfections and impermanence of the natural world; embracing simplicity, subtlety and the hand-made. It’s a perfect name for a venture that’s all about hand-crafted textiles made with the colours of nature!

To set up their print and dye workshop, Kriti and Avinash worked alongside local master craftsmen and, under their guidance, have been experimenting with age-old dye recipes, traditional techniques and block patterns. Their dye repertoire is growing, with a plan “to go completely natural” by  re-introducing dyes such as sappanwood, lac, natural indigo and turmeric. Join them at their Bagru workshop for a truly immersive experience!

For more details contact Kriti and Avinash on wabisabiprojects@gmail.com or  phone +91-99831 17978. Information can also be found on the workshop website wabisabiproject.com


Block printed samples dry in the hot Rajasthani sun in nearby fields.
Experimenting at a traditional pathiya table with guidance from a local master printer.
During Monsoon, for a short while, the countryside around the work shed transforms into a verdant wilderness.



Summer Stamp

Each year here in Jaipur, during school Summer holidays, Anokhi (the textile business) holds a Summer camp for children between the ages of 5 and 13. The camp takes place in the crèche  – an initiative started almost 17 years ago to support Anokhi’s young working mums – at the main Anokhi work site. For 5 weeks the crèche is abuzz as children of all ages are kept active and engaged with craft activities, indoor & outdoor games, reading, singing and dance. This year, block printing was added to the timetable!

With plenty of student-workshop experience, AMHP staff went along to help set things up in the Anokhi printing shed, conveniently situated around the corner from the crèche. The children had a great time and took the creative task of stamping their own handkerchief designs very seriously. Block printers, Shariff & Vasik, clearly enjoyed the whole experience too; and were more than happy to spend the afternoon tutoring such attentive youngsters in place of their usual work.


Shariff demonstrates how to steady the block with his little finger – a trick of the trade – then stamp it with the side of his other hand.
A chance to practice with the blocks; the sample fabric soon fills up with fun experiments.
An accidental work of art! Scattered animals and overlapping flower  impressions make a delightfully whimsical ‘painting’.
With handkerchief squares pinned to the table, Vasik gives a speedy but important lesson on how to print borders around corners.
Carefully trying out the newly-acquired knowledge!
Little blocks for little hands…… and a lot of con-centration from Mohit to get it just right!
A pair of expert helping hands assures the block sits right in the middle. It’s not as simple as it might look!
One final, satisfying “thap” and Vrinda’s piece is ready!

Back at the crèche at the end of the day, the children proudly show of their accomplishments. They had a great deal of fun trying to master some of the basics of block printing. It turned out to be the highlight of everyone’s Summer!

No sooner had the museum closed than it was back open again!


For two months, behind closed doors, there has been a flurry of activity in the gallery spaces which began with small renovations throughout the building – among other things, the mini-auditorium got a new ceiling and various areas received a fresh lick of paint  (see AMHP is Not Just About the Prints blog) –  followed by a thorough cleaning and the re-installation of gallery displays.

While that was going on, the demonstration printers caught up with print orders for the museum shop and the resident block carver kept himself busy making small repairs to archive blocks as well as enjoying his time carving out one or two exquisite new designs.

The shop is now brimming with new stock. Even the  small café in the forecourt (or Drinks Kiosk, as we like to call it) has been spruced up with a striking selection of traditional Bagru textiles.

Yesterday the museum re-opened. We hope you, your family and friends will have an opportunity to visit during the season – July 16th 2017 to May 14th 2018. New exhibitions are in the pipeline and we are lining up some fun student activities…….no age barred!.  If Jaipur is just that bit too far to come to, we hope you’ll continue to enjoy our posts as we highlight events and tell stories about AMHP and the colourful world of hand printing. We look forward to your visit one day!!


A small piece of advice: The demonstrations are very popular and we do try to ensure that the artisans are present daily other than during official holidays. However, to avoid disappointment we recommend a quick call beforehand to double-check. Contact details are on the website and  also mentioned below.


When the museum closes over the Summer, Mujeeb moves his small carving workshop to the cooler ground floor courtyard.  With his clutch of tools and small work table he can set up shop just about anywhere he likes.
Taking a break from more complex work, he makes a small stock of flower ‘posies’ for the new season. With a bit of a grin, he’ll give them away to visitors who come to watch him at work.

Mujeeb likes to make an impression!! In this case, on his arm!


Anokhi Museum of Hand Printing

Chanwar Palkiwalon ki Haveli (Anokhi Haveli), Kheri Gate, AMBER, Jaipur

For inquiries: Tel.- +91-0141-2530226 / 2531267 or +91 – 0141 3987100

Tuesday – Saturday : 10:30am – 5:00pm

Sunday : 11:00am – 4:30pm




There will be no block carving or printing demonstrations between:

1:00pm – 2:30pm Fridays

1:30pm – 2:00pm on other days.

Closed Mondays and major national & local holidays.



Closed for the Summer!

Today the Anokhi Museum of Hand Printing officially closes its doors for the Summer – although the hot weather has actually been with us for some time. While it may seem like a long break,  the museum staff need two full months to carry out their annual cleaning and maintenance tasks (of which there are many in a 400+ year old building!!).

Still, every year the footfall grows and we are always amazed at how many intrepid travelers brave the heat to pay us a visit even in the middle of May!  While we mention the closure date on our website and in several other places, for anyone who misses that information and turns up at the museum, we do let them come in.

Until the dust sheets go over the display cases, the staff will happily let anyone look around the exhibitions. Even when everything is eventually covered or removed from its case, our block printers and carver continue to work behind closed doors and a stroll around the stunning, tranquil interior of the building is every bit worth the visit!  In short, while the museum is closed, it won’t be a wasted trip for whoever lands up! Just knock on the door!

AMHP will re-open, as usual, in mid-July once the hottest part of the Summer is (hopefully) out the way and monsoon is underway.

In the meantime, have a very good Summer!

Meet Salim


It’s been a while since our last post; we’ve been very busy but plan to write more often!! To get back into things we’re revisiting the theme of Meet The Staff,  where we introduce a member of the Anokhi Museum of Hand Printing (AMHP) team. Last time we chatted to Jitendra and Pavan, the museum supervisors.  This time the spotlight is on one of the museum’s two block printers….

Meet Salim (we asked for his full name and  apparently that’s it)!  Salim took up his position as museum block printer in July 2015 and joins our charismatic printer Iqbal in the demonstration area (we’ll be writing about Iqbal another time!). Chatty and sociable, Salim seems to be enjoying his dual role as printer and demonstrator.  We joined him in his work space to find out what he thinks of life in a museum and to learn a little bit more about him.

Salim’s hometown is Farrukhabad, a renowned block printing and carving town in the state of Uttar Pradesh. He grew up in a neighbourhood surrounded by craftworkers. Salim’s father was also a printer but he points out that he didn’t learn the craft at home. “I picked things up on the job from other printers, just being around them all, watching and practicing. Everyone in that area was printing. There were plenty of others my age. We all learned together. “

After a brief stint in Delhi, Salim moved to Sanganer – another historic printing town, just outside Jaipur. Work was scarce in Farrukhabad but Sanganer’s block printing industry was flourishing.  Now 59 years old, he has been living and printing there for almost 40 years until his recent work move to AMHP, Amber  – on the opposite side of Jaipur. His two brothers are in the same line of work not far away. His son is a block printer too – an encouraging sign that the next generation has also engaged with the craft!

Salim at his printing table in the demonstration area.

The museum must be a real change, much calmer than the hustle and bustle of Sanganer? ” I’m older now, ” he reflects, “and this work is more relaxed compared to work in a printing unit. I demonstrate to visitors or work on a small order, but it’s unhurried. I like new people coming to see me work and I feel happy when some of the visitors call me Guru! I am very happy here.” Often associated with a spiritual guide, guru is also synonymous with expert or authority. After four decades of stamping cloth, Salim is undoubtedly a skilled craftsman and, proud of his heritage. He is happy to put on a bit of a show and share his expertise with the many enthusiastic onlookers who pass through. He is very pleased to see ‘his craft’ in this kind of setting, in a museum dedicated to block printing. “It makes me proud that people are interested in what I do for a living.”

Testing a new block while waiting for museum visitors.

Salim has a nice routine – demonstrations throughout the morning, printing orders in the afternoon. He’ll stay doing this until he retires. And then? He’ll probably return to Farrukhabad. He still has plenty of family there and returns several times a year for festivals and special family gatherings.

Visitors have come! Salim cleans a block and gets ready to print.

During his chai breaks he can be spotted scurrying down the corridor to have a chat with the museum’s equally affable block carver, Mujeeb Khan. Mujeeb is also from Farrukhabad and about the same age. The two have much in common and plenty to chat about. But that’s another story!


AMHP is Not Just About the Prints!

Although most visitors come to the museum to learn about hand block printing, the haveli itself offers a look at ancient building traditions still practised today, albeit in diminishing numbers.

When AMHP recently called on local artisan, Ram Kishor, to repaint the weather-beaten façade, we requested he follow a centuries-old limewash recipe. Together with his ‘team’, he set up a temporary work space in the museum forecourt and spent the next 8-9 days mixing and nurturing the various ingredients to create the perfect earth-tinted wash. It took another two weeks to paint and embellish the walls.

Few old buildings (or new, for that matter) receive such a pampering these days! Watching this fascinating process of refreshing the wall colour, we decided to share it with our followers. Here’s a small glimpse, in photos, at how the museum was brushed up for the new season!


Artisan, Ram Kishor
Ram Kishor places blocks of chuna limestone into a large drum adding water that he continually replenishes for 2 days.
Constant stirring prevents the lime and water from separating. After straining it through a gauze cloth, salt is added.
To create colour, Ram Kishor mixes additional ingredients like molasses, curd, yellow sand and red clay, adjusting amounts for desired results.
Regular straining removes dust particles for a clear smooth finish.


The craftsmen scrape the walls with a thin iron blade and fill the holes with chuna cement. Scoring the surface releases trapped air to prevent cracking and also enables the 2nd and 3rd application to adhere.
An undercoat of limewash covers the entire area for a smooth finish.
Continuous stirring must never stop or the mixture will thicken and spoil.


The painter uses a string dipped in dry coal powder to mark the area for painting, a laborious task that needs a slow steady hand.
Ram Kishor carefully adds final touches to the relief- covered wall with white chuna paint brightened with a touch of indigo.


Text: Suki Skidmore & Rachel Bracken-Singh

Photographs: Anokhi Archives



Meet the Staff

Well…the Thar desert is still bubbling hot but at the Anokhi Museum everyone is looking forward to cooler days and the onset of the tourist season.  Expectations are high as we enter our 11th season!

As you can tell from our last post, lots of hard work occurs over the summer from cleaning cases to more onerous repair jobs, plus everything in between.  At this junction we thought it was a good idea to introduce you to the dedicated staff who make it all happen!

We will begin with our remarkable ‘Generals’ – Jitendra Chaturvedi, Museum Manager and Pavan Saini, Assistant Museum Manager as well as Shop Manager and Education Supervisor.  They are both bonafide multi-taskers whose diligent efforts enable the smooth functioning of AMHP. No doubt, their boyhood friendship underpins the unique camaraderie of the entire museum staff.


Jitendra is the elder of the team, as well as the naughtiest in his youth!  We all love hearing these local men reminisce about what the haveli was like during their childhood. Given its dilapidated state at the time, it is not surprising that village mothers warned their children to stay clear of the crumbling, monkey-infested building! Jitendra, it seems, was the one who ignored these words of wisdom and instead explored the dangerous yet mysterious nooks and crannies deep inside. No wonder he has such a fondness for the place!  Today, he is amazed not only at the haveli’s current majesty, but also that he began at the ticket desk on opening day with Pavan closeby in the shop.


Although Jitendra still tends the desk, he now also manages the entire museum with the assistance of his old pal, Pavan. With Jitendra supervising the staff and dealing with daily issues, Pavan oversees a newly expanded shop while also administering our educational programs, so vital to the museum’s mission. They give exceptional tours that we encourage people to attend when visiting.


Both Jitendra and Pavan graduated from Rajasthan College in Jaipur with diplomas in computer science along with coursework in Indian history, political science and English.  Pavan, a former English teacher, continues to tutor in the local schools.  As respected members of Amber, both men have been an incredible resource for establishing the museum within the community and it is always fun when their friends or family members drop by for a visit. Over the years, the museum staff has enjoyed participating in their lives from celebrating weddings and births, or just enjoying family celebrations here in town!

Text & photos : Suki Skidmore